Sound Lets You See: A Phenomenology of Hearing Screen Media
Russell J. Cook (Loyola University Maryland, United States)
Abstract
This phenomenological investigation of ocularcentrism in screen media proceeds deductively. First, the significance of screen media is demonstrated. Next, synaesthetic merging of human senses is shown to begin with the body and to produce ready substitutions of seeing and hearing. The final deduction explores apperception – “seeing with” – a foundation of the phenomenological method. Sounds emanating from beyond the screen edge stimulate an expanded experience – a window to a wider world. This marginal consciousness has surprising power to dictate the audiovisual impact. In summary, off-screen sounds, combined with visual closure of objects partially hidden by the frame edge, stimulate in screen sense the apperception of a co-extensive world beyond the picture frame. Sound lets you see.
Article in:
English
Article published:
2015-10-01
Keyword(s): hearing; media; ocularcentrism; phenomenology; screen; seeing; synaesthesis.
DOI: 10.3846/cpc.2015.234
Cited-By
1. Embodied Resonances: The Sonic Pathways in Jean-Marc Vallée's film Wild
Alison Walker
The New Soundtrack vol: 8 issue: 2 first page: 119 year: 2018
doi: 10.3366/sound.2018.0125
Coactivity: Philosophy, Communication / Santalka: Filosofija, Komunikacija ISSN 2029-6320, eISSN 2029-6339
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 License.